Biography

REBEKAH HOU is a classical harpist based in Northeast Ohio. She has acquired several notable awards including the first prize of the Mid-Atlantic Symphony’s 2024 Elizabeth Loker Concerto Competition in Easton, Maryland, winner of the 2023 Cleveland Institute of Music (CIM) Concerto Competition, and winner of the 2022 Anne Adams Award from the American Harp Society’s National Foundation competitions. She has performed as a featured soloist with the Asheville Symphony Orchestra, Mid-Atlantic Symphony Orchestra, the CIM Orchestra, and the National Repertory Orchestra.

As an orchestral musician, Rebekah has appeared as guest principal harpist of several orchestras in the Northeast Ohio area and in the United States including the Baltimore Symphony, New World Symphony, the Erie Philharmonic, and the Akron Symphony Orchestra. This past summer took her to Breckenridge, Colorado, where she was the resident principal harpist and a soloist of the National Repertory Orchestra. She has also received fellowships from Round Top Orchestral Institute, Chautauqua Festival, Interlochen Arts Camp’s World Youth Symphony Orchestra, and Carnegie Hall’s National Youth Orchestra of the United States (NYO-USA). Most notable orchestral performances were from the NYO-USA 2019 American and European tour, which was directed by Sir Antonio Pappano and joined by guest artists Joyce DiDonato and Isabelle Leonard. Highlights of the tour included Carnegie Hall in New York, the Konzerthaus in Berlin, Usher Hall in Edinburgh, Royal Albert Hall for the BBC Proms, the Royal Concertgebouw in Amsterdam, and the Elbphilharmonie in Hamburg. Both her orchestral and solo performances have included collaborations with acclaimed conductors including Leonard Slatkin, Michael Stern, Matthias Pintscher, Jason Seber, Darko Butorac, Kazem Abdullah, Michael Repper, Robert Moody, Larry Rachleff, Karina Canellakis, JoAnn Falletta, and Brett Mitchell.

Rebekah completed both her bachelor’s and master’s degrees in harp performance at the Cleveland Institute of Music as a student of Yolanda Kondonassis, graduating with honors and receiving the Alice Chalifoux Prize in Harp. She also attended the Interlochen Arts Academy as a student of Joan Raeburn Holland, receiving both the Orchestral Fellowship and the Fine Arts Award for Harp.

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Upcoming Events

November 15
Dvorak’s New World Symphony with New World Symphony
New World Center
Miami, FL
7:30pm

November 16
Dvorak’s New World Symphony with New World Symphony
New World Center
Miami, FL
2pm

November 21
Also Sprach Zarathustra with CIM Orchestra
Kulas Hall – Cleveland Institute of Music
Cleveland, OH
7:30pm

November 29
Harvest Arts Christmas Hymn Tour
First Presbyterian Church of Joliet
Joliet, IL

November 30
Harvest Arts Christmas Hymn Tour
Eureka Bible Church
Eureka, IL

December 4
Harvest Arts Christmas Hymn Tour
Clubhouse on the Highland
Birmingham, AL
6pm

December 6
Harvest Arts Christmas Hymn Tour
Camden ARP Church
Camden, AL

December 7
Harvest Arts Christmas Hymn Tour
Eastern Shore Presbyterian Church
Eastern Shore Fairhope, AL

December 9
Harvest Arts Christmas Hymn Tour
Pinewoods Presbyterian Church
Pensacola, FL

December 11
Harvest Arts Christmas Hymn Tour
First Baptist Pensacola
Pensacola, FL

December 12
Harvest Arts Christmas Hymn Tour
Trinitas Christian School
Pensacola, FL

December 13
Harvest Arts Christmas Hymn Tour
Sheraton Music City
Nashville, TN

December 14
Harvest Arts Christmas Hymn Tour
Christ Community Church
London, KY

December 19
Solo Recital
Danbury Senior Living Millersburg, OH
5pm

December 20
Solo Recital
Vitalia Montrose Copley, OH
4pm

December 22
Solo Recital
Independence Village Aurora, OH
2pm

January 7, 2026
Solo Recital
Hamlet Village Chagrin Falls, OH
2pm

January 12, 2026
Solo Recital
Story Point Medina, OH
2:30pm

February 9, 2026
Solo Recital
Maplewood Cuyahoga Falls, OH
2pm

Press and Reviews

The Talbot Spy
March 26, 2024

“Hou’s concerto was announced silently before her on-stage appearance by the front and right-of-center positioning of her handsomely crafted harp. From the first notes, you know this is not your grandmother’s harp, nor Harpo Marx’s. While the usual angelic glissandos flourish from time to time in the concerto, many more sharply plucked notes are both singularly melodic in tone and percussive on impact, especially as she slapped wood panels of the harp architecture. The highest notes on the shortest upper harp strings could be mistaken for tinkling piano keys as other, more sonorous notes may strike you as that of a xylophone. Still others are as tender as lightly stroked acoustic-guitar notes. Who knew a harp could be so versatile? Rebekah Hou did.”

Interview with Mid-Atlantic Symphony Music Director Michael Repper

Interview with the Cleveland Institute of Music